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Excerpt From CRASH DIVE

April 17, 2015 by Craig DiLouie Leave a Comment

CHAPTER ELEVEN
PATROL STATION

Rigged for red. Ready to surface in all respects. The surfacing alarm sounding.

The S-55 gently broke the surface of Savo Sound, the ocean inlet the men of the beleaguered Pacific Fleet were calling Iron Bottom Sound after numerous sharp naval battles.

Ready for the first night watch of the day, Charlie held the ladder tightly as the hatch partly opened. A heavy blast of sour air roared past him.

After the air pressure equalized and the tempest subsided, he climbed up and looked around. It was a routine to which he’d already become accustomed, but he felt a special urgency about it now.

They were in the Slot, and they’d received a message to expect a Japanese naval force passing through the area later tonight. After days of seeing no enemy ships, it was exciting news.

He took his time and scanned the area thoroughly. Aided by the budding moon, his night-adapted eyes picked out Savo Island to the east, Guadalcanal to the south.

“All clear,” he called down. “Lookouts to the bridge.”

Steam drifted out of the open hatch. His men emerged and took their stations.

Charlie took a deep breath of the clean air and inhaled the vital scent of jungle wafting from the nearby islands. After a day in the people tank, it smelled sweeter than Evie’s perfume. The temperature was considerably cooler topside at seventy-five degrees.

The main induction opened to suck the cool night air into the boat for both the crew and the engines. The diesels fired up to charge the battery while the boat stood-to facing north by west. By the end of Charlie’s watch, the battery had fully charged, and both diesels were assigned to the propellers. The old sea wolf was ready to hunt.

Rusty entered the bridge. “Permission to relieve you and your squires, noble sir. As incentive for that permission, I can tell you a sumptuous meal awaits you in the wardroom.”

“In that case, permission granted,” Charlie said. “What’s the cook serving up for dinner?”

“Pot roast and cock, and he’s all out of pot roast.”

Charlie laughed. Ever since the S-55 entered the Solomons, the men had stopped their shirking and horsing around and went to work with silent efficiency. But not Rusty. Not even the tension of imminent combat could keep the able lieutenant from his wisecracks.

Kidding aside, despite the hardships of service, submariners ate better than anybody else in the Navy, at least while the fresh provisions lasted. Right now, pot roast sounded fantastic.

“All sectors clear,” he told Rusty. “A dozen lighted planes, far off and coming across the stern, were reported. Navy fighters landing at Henderson Field.”

“Hopefully, they bombed those tin cans headed our way.”

“We should be so lucky,” Charlie agreed, though he was itching for a fight.

As the new watch manned their stations, he descended the stairs to the cigarette deck and then the main deck. He tied a metal bucket to a manila rope, tossed it over the side, and pulled up cool seawater. Then he started a quick sponge bath.

For a war zone, the scene struck him as peaceful. The slim moon’s light glimmered on the water, which lapped gently against the boat’s hull. His romantic Evie would have loved it.

He heard a distant droning and perked up. Charlie hustled back to the bridge while the watch scanned the skies.

A burst of light flared in the distance and died out. Then another. Moments later, he heard the first boom. Red tracers streamed into the night.

“Ho-lee shit,” one of the watchmen said.

More bright flashes, an entire cluster of them, brightened the horizon. The air filled with thunder and the distant wail of an air raid siren. Searchlights swept the sky.

The Japanese were bombing the airfield on Guadalcanal.

“Lookouts, get below,” somebody shouted up the shaft. “Clear the bridge!”

Bodies poured down the hatch. Charlie dropped to the deck and hustled out of the way. One by one, the rest of the men came down after him, talking excitedly.

“Hatch secured!” Rusty called from above.

The captain said, “Dive!”

The diving alarm sounded. The main induction clanged shut.

“Pressure in the boat, green board,” Reynolds reported. The boat was sealed up tight.

The S-55 rapidly slid into the black waters and achieved a good trim at periscope depth. The engines cut out. The electric motors engaged the propellers.

“Planes, forty-five feet.”

“What’s going on?” Charlie asked Rusty.

The lieutenant shrugged. “The captain pulled the plug.”

“Silence!” Kane roared, quieting them all.

The men stared at the captain. The captain stared at the soundman.

“I’ve got a turn count of three twenty-five RPM,” Marsh said. “Now I’m hearing multiple sets of screws. Light screws. Speed estimated twenty-five knots.”

Charlie grinned. That sounded like destroyers!

Marsh added, “Estimated range, eight thousand yards.”

The captain put on his sou’wester hat and oilskins. “Up scope.”

He peered into the dark, whistling a pop tune while water splashed on his shoulders. “Give me a bearing, Marsh.”

“Targets, bearing 115º True.” Plus or minus a few degrees.

The submarine’s Great War-vintage hydrophones weren’t perfectly accurate, but one thing was certain: The Japanese war party was coming straight at them. They intended to round Savo Island. Charlie guessed their mission was to give Henderson a good shelling tonight.

The captain smiled as he looked into the scope. “I think I see them. Come to papa. Down scope. Harrison, start plotting. Marsh, keep those bearings coming.”

Charlie dumped graph paper, pencils, and a ruler onto the plotting table. He marked the contacts’ estimated position.

“Bearing still on 115º True.”

Based on the war party’s bearing and estimated speed, he marked its likely new position on the plotting paper. He checked the boat’s gyrocompass and started plotting the S-55’s own position with a pencil and ruler.

“Left full rudder,” the captain said. “All ahead full. Come left to 275º True.” After the heavy sub completed her ponderous turn and found her new course, he added, “All ahead one-third. Up scope.” After another look at the approaching ships: “Down scope.”

Deep in thought, Captain Kane stepped away from the falling periscope.

He had a choice. He could take a shot at the destroyers as they passed and then radio their presence to warn American forces at Guadalcanal they were coming. Or he could let them pass, sound the alarm, and try to hit them on their way back.

Both carried risks. The former approach put them directly in a hornet’s nest. The latter was safer, but the Japanese might take another route home, and Frankie would miss her chance to take a crack at them.

Knowing the captain, Charlie believed he’d take the latter, more cautious approach.

Kane rubbed his stubbled jaw. The men stared at him, awaiting his command.

“Battle stations,” he said. “Torpedo attack.”

Want to read more? Get CRASH DIVE for Kindle here.
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Filed Under: Crash Dive Series, Submarines & WW2

RUN SILENT, RUN DEEP (1958)

March 31, 2015 by Craig DiLouie Leave a Comment

While on my submarine kick during the writing of CRASH DIVE, coming in April, I stuck with nonfiction and episodes of THE SILENT SERVICE, which is based on nonfiction accounts of submarine adventures during WWII. I didn’t want to read the classics like DAS BOOT. Sometimes, when you write a certain type of novel, it’s good to read a lot in that genre, as it keeps you in the mood and can inspire some ideas. Other times, it’s a risk. You might end up reading that truly killer book that discourages you from writing your book, because you can’t get your head out of the story you just read and into your own. You find yourself trying too hard to either write or not write the classic, either of which spells trouble for a writer looking for his own story.

After seeing DAS BOOT, I knew the book might be like that, so I avoided it until after I was done writing. (I’m reading it now, and so far, so good.) Then I found out about another classic submarine tale, RUN SILENT, RUN DEEP by Edward Beach. It’s a good thing I didn’t, as there are some common elements between that story and CRASH DIVE. I’ll be reading the book soon, but enjoyed watching the 1958 film starring the great Clark Gable and, one of my favorite actors, Burt Lancaster.

The film is about two men who personally clash against each other and the Japanese during the Pacific War. One is Richardson (Gable), a senior submarine captain with a desk job at Pearl Harbor, who every day for a year broods over the loss of his boat to a Japanese destroyer that has a legendary ability to kill subs. Bledsoe (Lancaster) is an executive officer about to be promoted to command his own boat. Bad news for Bledsoe–Richardson has convinced the admiralty to give him Bledsoe’s command. His goal: Take it into the Bungo Straits and find the destroyer that destroyed his boat and career.

The film contains a lot of terrific elements: loyalty, courage, vendetta and honor, all against the backdrop of WWII. Richardson is obsessed, but as a commander with a crew’s lives in his hand, what price is he willing to pay to get what he wants? Bledsoe was shunted aside because of Richardson’s power play and openly resents it, but is he going to settle his own scores, or does he have the integrity to serve the rank if not the man who holds it?

After doing a ton of research into WWII submarines, I can tell you the film is as authentic as it gets in terms of what service was like on one of the fleet boats. It’s not surprising Beach, author of the book on which the film is based, actually served on submarines in the Pacific during the war against Japan.

Overall, I loved it, it was a great find. The story starts as an engaging personal conflict and ramps up the tension until it becomes a taut thriller that in my view could compete today with the best Hollywood thrillers.

The book has something of a different plot, and I look forward to reading it. The book is very hard to find, as it’s been out of print for years, but you can watch the film starting here:

Filed Under: Movies & TV, Submarines & WW2

BREAKTHROUGH (1979)

February 5, 2015 by Craig DiLouie Leave a Comment

Continuing my World War 2 movie kick, I watched BREAKTHROUGH (1979), starring Robert Mitchum and Richard Burton at his snarly best.

The story follows Sergeant Steiner (Burton) from the Eastern Front to the Western Front. He becomes embroiled, albeit at the very peiphery, in the plot to assassinate Adolf Hitler and end the war. The question is whether the Americans will believe it and delay their attack, and whether the plot will succeed. Robert Mitchum plays the colonel of a tank battalion who believes Steiner.

It’s a strange movie. Lots of action, an interesting premise, but it’s fragmented, and the pieces didn’t hold together very well for me. Steiner is so cranky, and his relationships with almost everybody in the film so thin and forced, it’s hard to see him as a very likable protagonist. The stakes in the story kept changing. I can see what the film was aiming for, but while it had a lot of great moments, in my opinion it failed to reach it. The highlight of the movie was Mitchum, particularly his interactions with his cranky CO and the smartass sergeant who acts as his driver and personal aide.

Can’t say I’d recommend it, but if you’re into old war movies, you’ll probably want to give it a watch.

Click here to watch the complete movie on YouTube.
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Filed Under: Movies & TV, Submarines & WW2

THE ENEMY BELOW (1957)

February 3, 2015 by Craig DiLouie Leave a Comment

In a fit of virtue, I started switching from my bookstore to the library to get most of my reading. I picked up WAR IN THE BOATS by William Ruhe, which describes in detail his experience onboard a variety of submarines in the Pacific during World War 2. I got totally hooked, so much so I’m working on a short military thriller that will read like Horatio Hornblower meets a Turner Classic submarine movie and with a Michael Crichtonesque attention to technical detail, making you, the reader, a part of the crew seeing what it was really like fighting a war beneath the sea.

During all this research, I found an old movie, THE ENEMY BELOW (1957), which describes the fight between an American destroyer and a German U-boat during the War of the Atlantic. Robert Mitchum plays the captain with a score to settle, while we also follow the story of the U-boat captain, who hates the Nazis and is tired of the war.

Both men are very good at what they do, resulting in a clever cat and mouse game that culminates in a classic finish. Unlike THE VICTORS, which I reviewed yesterday, THE ENEMY BELOW doesn’t present the noble aims of war and then contrast it with the grim reality of violence and human nature. Instead, it holds up the horror of war and then contrasts it with small acts of human kindness that provide genuine hope for humanity’s future.

The film stretches reality as to the foresight the captains showed, as real captains during the war had much less awareness and certainty, but it’s a fun movie if you like war movies, and takes you inside a destroyer and a submarine, natural enemies of the sea.

Click here to watch the movie in its entirety on YouTube.
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Filed Under: Movies & TV, Submarines & WW2

THE VICTORS (1963)

February 2, 2015 by Craig DiLouie Leave a Comment

THE VICTORS (1963) is a war movie that takes its subject seriously but may be even more powerful as an anti-war film than the comedy DOCTOR STRANGELOVE, which came out the following year. It stars George Peppard, Eli Wallach and Melina Mercouri, and has an early film appearance by Peter Fonda.

The story, adapted from a collection of short stories titled THE HUMAN KIND by Alexander Baron, based on his war experiences (British, but changed to Americans in the film), follows several American soldiers as they fight their way across Europe in World War 2. Like the book, the film presents a series of short stories that tie together.

The film contrasts the grim reality of the war with seamlessly integrated American propaganda reels and speeches by President Roosevelt. The President is seen several times describing the war as a noble conflict, a war to end war, a war that will provide a lasting peace for our children.

Unlike other war movies of the time, THE VICTORS portrays the soldiers not as sacrificing heroes (though they could be seen that way), but as average guys doing their jobs while trying to stay alive. Most of the storytelling focuses on what happens during those long stretches of marching and occupation and carousing when the bullets aren’t flying. The soldiers are portrayed as entirely human and despite their flaws, very likable.

The anti-war element of the film is driven by the evident contrast between the war’s noble aims and its grim truths presented with an even hand and without sentiment. Despite the noble aims of the war, human nature is what it is. In one scene, White soldiers beat up a pair of Black soldiers. In other scenes, destitute and lonely women are sexually exploited by the occupiers. The soldiers are often unthinkingly cruel to other soldiers and the locals. They fight over women. These things are shown as a matter of fact and without moralizing, but the point is clear. The war got rid of Hitler (thank God) but people are people, and war will go on, making the notion of war itself seem futile.

Click here to watch the complete movie on YouTube.
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Filed Under: Movies & TV, Submarines & WW2

HORNBLOWER Series By C.S. Forester

December 12, 2014 by Craig DiLouie Leave a Comment

Every once in a while, a lucky reader encounters a series of books they just can’t read fast enough. These books aren’t read so much as inhaled.

That was the experience I had enjoying the HORNBLOWER series by C.S. Forester. Wow, what a ride. I plowed through the entire series of 11 books in no time.

I was drawn to the books after watching the great miniseries starring Ioan Gruffudd, which were based on three of the novels. The miniseries took a great deal of license with the books, making them quite melodramatic. When I picked up the first book, I expected some Victorian moralizing about how men who adhere to hard work, honor and duty can’t lose, while everybody else is lazy and villainous. Boy, was I surprised.

The books are taut nautical thrillers–very realistic and entirely gripping. The series follows the career of Horatio Hornblower, a man who is so self-effacing and doubting that he continually strives toward perfection, knowing England and its vaunted Navy, in a death grapple with France during the Republican and subsequent Napoleonic Wars, will not abide failure. He starts his career as a midshipman and ends as Admiral of the Fleet. Each book follows him at a different stage of his career, from midshipman to lieutenant to captain to commodore to a lord to admiral. He is at virtually every major event of the wars, minus its big battles such as Trafalgar, as Forester preferred to put Hornblower into situations where he could act on his own.

Hornblower’s successes are the result of continually paying attention, experience, innovative thinking and just plain luck, but as his second wife puts it, a fortunate man makes his own luck by optimizing his chances. He isn’t a superhero. In fact, he continually doubts himself and, being a melancholy sort and a bit of a pessimist, isolates himself from the company of others. His only real friend, Bush, with whom he serves through most of the series, is kept at arm’s length while they’re on duty.

The nautical aspects of the series are thoroughly enjoyable. I appreciate being treated as an adult by a novel, without every single thing explained to me. The books are packed with nautical terms and maneuvering to the extent they at times read like procedurals for wood sailing ships of the time. In my view, this only makes the storytelling that much richer. When the action occurs, it is completely realistic and therefore twice as gripping. The naval battles are edge-of-the-seat reading.

Published between 1938 and 1962, the series did very well–so well, there was a story circulating during Forester’s day that whenever his publishing company was showing poor profits, they sent a representative down to beg him for another HORNBLOWER tale.

Goodreads.com lists the entire series in chronological order here, which can be helpful to find out what’s next in line.

I’ve recommended HORNBLOWER to several friends, who all told me they already read it, so maybe (probably) I was the last to know. But if you haven’t read them yet, and you enjoy historical thrillers, definitely check them out. You’ll be glad you did.
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Filed Under: Books, Other History, Reviews of Other Books

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