Author of sci-fi/fantasy, horror and adventure/thriller fiction

Craig DiLouie

Craig DiLouie is an author of popular thriller, apocalyptic/horror, and sci-fi/fantasy fiction.

In hundreds of reviews, Craig’s novels have been praised for their strong characters, action, and gritty realism. Each book promises an exciting experience with people you’ll care about in a world that feels real.

These works have been nominated for major literary awards such as the Bram Stoker Award and Audie Award, translated into multiple languages, and optioned for film. He is a member of the HWA, International Thriller Writers, and IFWA.

At this site, you can find all of Craig’s major works, interviews, and hundreds of interesting blog posts. Be sure to sign up for Craig’s mailing list here so you can stay tuned on new releases.

One of Us

When a disease produces a generation of monsters, these children must somehow fit in–or fight for what’s theirs.

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Children of God

The survivors of a doomsday cult find their voice through poetry therapy, expressing why they joined the cult and how it all went wrong.

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Suffer the Children

A mysterious disease strikes down the world’s children before bringing them back with a bizarre need that might end the world. How far would you go for someone you love?

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The Alchemists

During the tumultuous Renaissance, two great men resume an old duel to determine which is superior, magic or science.

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The Infection War

The first two books in Craig DiLouie’s classic apocalyptic series, newly revised and published in an omnibus paperback edition for bookstores.

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The Infection

In this classic in the apocalyptic/zombie genre, five ordinary people must pay the price of survival at the end of the world.

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The Killing Floor

In this sequel to The Infection, the survivor of a slaughter discovers he’s not just immune, but has the power to save the world…or end it.

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Tooth and Nail

In this classic zombie story that launched the military zombie subgenre, a company of soldiers fights to maintain in New York during an outbreak of a bizarre disease that turns people into rabid maniacs.

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The Retreat Series

In this series, an infantry battalion must fight its way across an apocalyptic America to reach Florida, the last bastion of government.

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The End of the Road

In this grotesque short story, five college friends cross America to find themselves. They won’t like what they find.

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Frightening in its familiarity, ONE OF US is a tale of human monsters and monstrous humans--authentic, brutal, and inevitable.

AUTHOR DAVID WALTON
on One of Us

Tense enough so that you can almost hear the clock ticking.

AUTHOR JACK KETCHUM
on Suffer the Children

DiLouie flavors Kipling’s “The Man Who Would Be King” with a dash of Joe Haldeman’s THE FOREVER WAR to create this rollicking military SF farce.

PUBLISHER'S WEEKLY
on The Great Planet Robbery

Adventure in the grand tradition: high stakes on the high seas, a gripping story that moves at frenetic pace without sacrificing character or detail.

AUTHOR JOHN DIXON
on the Crash Dive series

"Gripping ... DiLouie carefully recreates our society and our military ... then proceeds to bring the horror, devastation and heroes we require.

FANGORIA MAGAZINE
on The Infection

Writers like King, Lansdale and DiLouie invite us to view America through a glass smeared with dirt, blood and the mist of our own primal fear.

AUTHOR PAUL MANNERING
on "The End of the Road"

MANDY (2018)

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Directed by Panos Cosmatos, MANDY (2018) is a bizarre revenge horror film with a hallucinogenic atmosphere, gallons of blood, Nicholas Cage, a crazy haunting metal score by Jóhann Jóhannsson, and plenty of visual elements reminiscent of ’80s metal band album covers and ’70s horror flicks.

OUTLAW KING (2018)

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Netflix’s OUTLAW KING is a thin but strong historical film about Robert the Bruce and his fight for an independent Scotland after the death of rebel William Wallace. It has a lot of great elements and one of the most realistic scenes of medieval combat I’ve caught on screen, but they all come together in broad brush strokes and without a moral center. Overall, I enjoyed it but couldn’t help thinking it could have been much more if they’d had more screen time, maybe done it as a miniseries.

WIND RIVER (2017)

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After being joyfully surprised by HELL OR HIGH WATER, I caught another Taylor Sheridan film, WIND RIVER, a neo-Western murder mystery, and was even more impressed.

HELL OR HIGH WATER (2016)

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HELL OR HIGH WATER (2016) was a surprise joy for me, providing a compelling story that defies the usual crime movie tropes and shows small town America in a gritty but non-patronizing way. It’s been compared to NO COUNTRY FOR OLD MEN, but for me it’s more Elmore Leonard than Cormac McCarthy.