Author of adventure/thriller and horror fiction

KINGDOM: ASHIN OF THE NORTH

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Korean historical zombie drama KINGDOM (Netflix) recently aired its second season, which ends with the prince finding a mysterious figure in an abandoned village. A standalone episode, KINGDOM: ASHIN OF THE NORTH answers who this is and tells her backstory, thereby providing answers as to how the zombie-producing plant was discovered and found its way into the royal family.

Ashin is a child living in a village populated by Jucheons, people who migrated from Manchuria to live in Korea. They’re peaceful and loyal, but the Koreans never accepted them, and the Jurcheons no longer consider them the same tribe. As tensions mount on the border, an incident results in a massacre and Ashin wanting revenge. Soon, she discovers her hatred’s real target, resulting in a horrific plan of vengeance.

Fans of KINGDOM will love it, though they should understand this is a prequel set many years before the events in the series. While a standalone episode, at 92 minutes, it’s really a movie. On the plus side, it has the history, simple political machinations, and zombie violence of the series, though with less heart. You root for Ashin, though she’s not as likeable as the series cast, and the episode’s villains aren’t as hateable, so when everything comes together, which it does nicely, it nonetheless wasn’t as satisfying for me.

Anyway, if you’re a fan of the show, definitely check it out.

BLACK SUMMER, Season 2

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BLACK SUMMER (Netflix) is a terrific zombie series, brushing aside its low budget with constant tension, culling terror from even a single relentless zombie, interesting characters and set pieces, and a full range of genuine human reactions. Season 2 delivers the same winning formula as the first season, while amping up the conflict to be more human versus human and finding an almost Old West pathos to its grim story. At the same time, it sacrifices an important human element in its bleak depiction of survival, which was unfortunate.

Rose reunited with her daughter at the end of the first season, which saw the major characters either scattered, dead, or having made it to the stadium. Season 2 seemed to promise a story of how this tribe struggles and survives in a zombie-infested world similar to other shows like TWD and Z NATION, but this isn’t them. In this world, food becomes scarce, there’s a massive die off, our tribe is separated into virtually every man or woman for themselves, and various bands of people struggle in the northern wilderness, where the cold freezes many of the zombies.

An interesting antagonist is introduced, a cop who now leads a hardened band of survivalist-type warriors. He’s an intriguing character, a ruthless badass and a fitting antagonist for Rose, though the show doesn’t set up any real antagonism other than their paths cross searching for the same goal, which is unfortunate. If the show had them have a real run in, setting up personal stakes, their antagonism would have meant far more, and it would have been a better, less fragmented story. The camera often lingers on faces and landscapes, giving the whole thing an Old West feel not unlike THE GOOD, THE BAD, AND THE UGLY, though again wasting its chance at pathos by not tying the primary characters together more strongly.

Mostly, the story centers around various groups and individuals converging on a house that is a point of communication with a supply plane and supposed sanctuary, and then a race for the plane itself. In the midst of this, Rose will do anything to ensure her daughter survives, though her daughter, so accustomed to danger, may not be able to function in any place that seems safe. Unfortunately, Rose is often so ruthless, sometimes for no practical purpose, it makes you wonder who the villain is. It’s the same with most of the show–there’s so little trust, so natural an inclination to hurt and kill, that it seems to go beyond survival into a commentary about the natural brutality of humanity, brutality for its own sake. Which is unnecessarily bleak, as one of the things I liked about the first season was how people will form tribes and try to work together in the face of adversity.

Overall, despite its flaws and missed opportunities, I liked it a lot. Kinda loved it, actually. I hope it gets a third season.

AUTUMN: DAWN by David Moody

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David Moody’s AUTUMN: DAWN breathes new life into my favorite undead series. The book releases tomorrow (May 31).

In the grisly world of AUTUMN, a deadly germ strikes 99.9% of the population dead in their tracks. The dazed and shocked survivors struggle to make sense of it, some of them grouping together for comfort and survival and to try to keep hope alive. Then the dead rise from where they fell. Rotting and feral, they are attracted to the living, creating a new threat of total extinction.

I was totally impressed with Moody’s vision of an undead world back in the 2000s. He gave the undead a totally originally spin, not the least of which was by focusing heavily on character and realistically portraying the horrifying physical and emotional landscape of a world filled with zombies. His zombies are truly horrible, practically rotting off the page. His characters have a strained, stubborn agency, remarkable not for any heroic qualities but simply because they’re able to function and fight among so much horror and hopelessness.

Enter AUTUMN: DAWN, the start of a new trilogy to extend the series. This time, the setting is London, where there are plenty of survivors but the dead number in the millions. A community of people have gathered and find themselves under siege. A short distance away, another group has formed, though it might as well be on the Moon. And other survivors wait in the shadows. Can they unite and survive among an ocean of feral undead? Can they hold out and survive in London? Or will they strike out of the city to an alleged sanctuary up north?

The first book delivers everything you want in a Moody novel, and now I’m eagerly looking forward to the second.

ARMY OF THE DEAD (2021)

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Zack Snyder’s ARMY OF THE DEAD (2021, Netflix) delivers a fantastic setup with a strong cast of characters and lavish sets and action, only to suck every drop of fun out of it with dumb tropes.

The film follows Scott Ward (Dave Bautista), a Las Vegas local who became a legendary hero during the zombie war and who afterwards sank into obscurity. Fast forward: the war’s over, Las Vegas is quarantined, his daughter lives in a nearby quarantine camp, and Ward is a bit broken after everything he suffered to survive and save others. A casino boss hires him to break into Vegas to rob the casino he abandoned, offering $50 million for him and whatever team he assembles. After collecting his old zombie-killing comrades and recruiting other specialists, they venture into a zombie-infected Las Vegas to find the zombies have evolved. The trick is the president has authored Vegas to be nuked, and the clock is ticking.

Wow, right? They had me at Bautista, who makes a terrific understated action hero, but that’s one hell of a great setup. Like something like Adam Baker (TERMINUS, IMPACT, etc.) would cook up. The first half is actually fantastic. The problem is once the team is assembled, it all falls apart.

It’s like the filmmakers didn’t trust themselves (or their audience) to make any of it pay off, so they kitchen-sank every dumb heist and zombie movie trope they could scratch together in the hopes something would stick. You’ve got the Annoying Rebellious Daughter with Principle, Skeevy Security Guard, Tough and Mysterious Scout, Traitorous Scumbag Corporate Guy, Overplayed Unfunny Comic Relief, and so on. As well as hibernating zombies, zombie love right out of I AM LEGEND, alpha parkour zombies, king zombie, animal zombies, and from what some people are saying also robot zombies. The action in the second half is decent, there’s some fun, but mostly I was bored as the predictability of it, found the alpha zombies more annoying than menacing, and didn’t care if anybody died.

Okay, maybe I’m just a party pooper who expected too much from a zombie movie. That’s probably true. I’m just bummed because there was so much goddamn potential in this movie’s setup that I felt the way I felt watching the last season of GAME OF THRONES. They should have torn a page from Baker’s books and simply told a simple story: The team has a legendary past, the band gets back together for a heist, they go in, it goes bad, they barely get out with the clock ticking on a nuke. That’s it. No annoying daughter, no scumbag corporate guy, no skeevy security guard.

Oh, well. It’s certainly not the worst zombie movie, and it has a lot of fun elements to it to make it likeable and a passable watch. It really should have just stuck with its simple premise and core characters and made them pay off. THE DIRTY DOZEN with zombies. It could have been one of the best zombie movies ever.

THE INFECTION and THE KILLING FLOOR Re-Released

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Written back in the heyday of Permuted Press and now considered classics in zombie fiction, THE INFECTION and THE KILLING FLOOR have been re-released with a new edit, new covers, and a new low price. I recently acquired the rights back from Permuted, which led to these new editions and, later in 2021, a third book to finally make it a trilogy.

THE INFECTION
A mysterious virus suddenly strikes down millions. Three days later, its victims awake with a single purpose: spread the Infection. As the world lurches toward the apocalypse, some of the infected continue to change, transforming into horrific monsters.

In one American city, a small group struggles to survive. Sarge, a tank commander hardened by years of fighting in Afghanistan. Wendy, a cop still fighting for law and order in a lawless land. Ethan, a teacher searching for his lost family. Todd, a high school student who sees second chances in the end of the world. Paul, a minister who wonders why God has forsaken his children. And Anne, their mysterious leader, who holds an almost fanatical hatred for the infected.

Together, they fight their way to a massive refugee camp where thousands have made a stand. There, what’s left of the government will ask them to accept a mission that will determine the survival of them all—a dangerous journey back onto the open road and into the very heart of Infection.

Get it here.

THE KILLING FLOOR
The mystery virus struck down millions. Three days later, its victims awoke with a single violent purpose: spread the Infection. As the world lurches toward apocalypse, America’s far-flung military returns home to wage a horrific war against its own country.

Far from the front lines, Ray Young, survivor of a fight to save a refugee camp from hordes of infected fleeing the burning ruins of Pittsburgh, awakes from a coma to learn he has also survived Infection. But this is no miracle. Ray is not immune. Instead, he has been transformed into a super-weapon that could end the world … or save it.

In THE KILLING FLOOR, Craig DiLouie’s chilling apocalyptic vision portrayed in THE INFECTION continues, presenting a nightmarish struggle for survival like no other.

Get it here.

THE FINAL CUT
Months after Infection turned the world into a slaughterhouse and laboratory for new horrific forms of life, humanity counts its losses and loses hope. The apocalypse continues to build one day at a time, though the world isn’t ending. It is becoming something new.

In a small town in West Virginia, a tiny but significant battle ends with humanity finally gaining a pure sample of Infection. Licking their wounds, the survivors set out for Fort Detrick, home of USAMRIID, where the Army studies germ warfare.

There, Infection will offer them the ultimate choice: kill, die, or adapt.

Stay tuned for a release date!

REVOLUTION

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REVOLUTION (Netflix) is a French zombie series that reimagines the history of the French Revolution as being caused by a disease spreading among the nobility that turns them into undead creatures with an appetite for flesh. Sort of a French version of South Korea’s excellent series KINGDOM, though in this case the zombies retain their faculties. It’s moody, cool, and interesting. Overall, I liked it, though with its complex plot and sometimes sluggish pace, it’s no WORLD WAR Z.

Working at the Bastille prison, Dr. Joseph Guillotin meets a new prisoner alleged to have murdered and partially eaten a number of peasants. He suspects something isn’t right, and eventually uncovers a plague that could transform humanity into a direct food chain. Some in the nobility know something isn’t right and resist; others go along with it; and a resistance group hoping to overthrow them all and institute a republic finds an even greater reason to take action. It’s all leading to a revolution with even greater stakes than its real historical counterpart.

The colors are dark, the actors often somber, the plot complex, the atmosphere moody. And it’s slow, which is probably its biggest difference with KINGDOM, which used humor well, offered plenty of action, and didn’t take itself as seriously. Despite this, I liked REVOLUTION quite a bit and regard it as a terrific reinvention of the zombie in a unique historical context.

The first season ends in a way that promises a second, though unfortunately the show was canceled, which may leave viewers expecting the full-on revolution by the end of season 1 hanging. Regardless, it’s a solid watch, particularly for those looking for something new and interesting with zombies.