HERETIC (2024) finds horror in conventional religion regardless of where you stand on belief. With solid pacing, stimulating ideas, and terrific performances, notably Hugh Grant playing a charming baddie, it’s a truly standout horror film.

When I wrote THE CHILDREN OF RED PEAK several years back, one of the points I wanted to make in the novel is whether it’s a cult or a mainstream religion, religion itself is, well, terrifying if you think about it beyond the comforting assurances. Cosmic horror. The idea that there’s a supreme being judging everything you do and will burn you forever if you don’t love him enough or worship him the right way. The alternate idea that there’s nothing at all out there, no meaning or reason for being alive, and death is oblivion.

HERETIC cuts right to the heart of this existential dread (for another example of this, check out the Netflix series MIDNIGHT MASS). In the movie, two Mormon doorknockers, Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East), visit Mr. Reed (Grant), who has expressed interest in the Church of Jesus Christ of Latter-Day Saints. They’re hoping for a convert, but he has something else in mind, a game of sorts about faith and belief. Soon, the two young women will find themselves trapped and forced to play.

If you’re super religious, here’s your trigger warning: Faith is discussed in many ways, but there is a strong point of view that is not flattering. That being said, HERETIC isn’t a religion-bashing film, not at all. The women, of course, also get their say, with the suggestion that God is not necessary for religion to be good. And the film is more about the questions than any answers.

As a horror film, the first act is almost perfect. The dread as the women start to realize things aren’t as they seem, the mounting tension as they try to talk themselves out of it, the calm and almost cheerful menace as Mr. Reed guides them without force to follow his script. In the second act, the horror steps up, but I didn’t find the third act, as the unknown becomes known, as strong, nor the final payoff. It’s pretty conventional and thwarted my hope the conflict would all boil down to a moral choice that provided a different answer to Mr. Reed’s explanation as to what the “one true religion” actually is.

Overall, I loved this highly thoughtful and provocative horror film and was glad I caught it in the theater. Definitely recommended.

Holy cow, I did not expect such a solid movie from a sequel of a middling horror film. SMILE 2 is terrific horror.

Full disclosure, I thought the first movie was, well, I didn’t think much of it. A fellow horror author advised me to check out the sequel, and he wasn’t wrong that it’s night and day with the two films. The sequel has a strong emotional anchor, strong themes, excellent horror, great acting, an entertaining inside look at what it’s like to be a pop star, and a killer ending.

The first film is basically about a curse where you and only you can see demonically smiling people who terrorize you until you die or witness a death, and then the curse passes on. In the second movie, it finds its way to a drug dealer who in turn passes it on to Skye Riley, a pop star (played to the hilt by actress/singer Naomi Scott), who finds herself in an escalating nightmare.

Skye has her own inner demons to contend with. She just got out of rehab and is trying to rebuild her career with a new tour. She decided to stop using after a car crash that killed her boyfriend, which still haunts her. This provides a strong emotional core for the film and a theme of wrestling with addiction, as the smiling curse similarly tries to break down her will and control.

SMILE 2 is a bit long for a horror movie at over 2 hours, but I enjoyed how it let itself breathe instead of throwing one horror setpiece jump scare (the jump scares are actually rare and used for maximum effect) after another at me. We get a lot of time seeing Skye doing her job–dealing with fans, practicing with backup dancers, and so on.

My main criticism is something the film actually overcame. I hate socially embarrassing ghosts, the kind of spirits that make you hallucinate so you freak out in front of a crowd or wind up doing something harmful. It delivers more anxiety than fun, and it doesn’t seem like a fair fight. But SMILE 2 overcame that usual objection, and I ran with it and enjoyed the ride until the killer ending.

Overall, I loved SMILE 2, it was a real surprise. Recommended.

Directed and co-written by Zoë Kravitz, BLINK TWICE (2024) is a psychological thriller (though at least horror adjacent if not also horror) about a woman invited by a billionaire to his private island, where his guests spend their time in endless partying and self-exploration, only to discover something far more sinister is going on. While its feminist message is paper thin and it takes a while before things get bad, I enjoyed its restless energy, little moments of humor, and oddball characters and cast.

When billionaire tech mogul Slater King (Channing Tatum) hosts an event signaling his return after disappearing for a while following some horrible harassment allegations, server Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) infiltrate the after party so Frida could flirt with him. He invites her to his private island, where he and his friends spend their days enjoying life to the fullest. The only problem is strange memory lapses and other little clues that things aren’t what they seem. When Jess disappears but the other women doesn’t seem to remember her, Frida becomes increasingly aware that something is dreadfully wrong, leading up to a violent final act.

The themes of the rich doing whatever they want without real consequences because they’re rich and exploiting others are present, if not explored much. The story takes a simpler path of seeding the idea that things aren’t what they seem and letting it cook until it explodes. Honestly, the story is fine, not great, not terrible, and it at least feels familiar. Where the movie shines is in the sometimes frantic and always restless energy it has in its pacing, acting, cinematography, and little comedic moments.

Overall, I had a lot of fun with BLINK TWICE, which offers up a simple story creatively told.