Author of adventure/thriller and horror fiction

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LORDS OF WATERDEEP

August 30, 2021 by Craig DiLouie Leave a Comment

Another favorite for beer and games night at my house, LORDS OF WATERDEEP (published by Wizards of the Coast) is a really fun fantasy board game for 2-5 players. In this game, you play a faction in the medieval fantasy city of Waterdeep, vying for control by deploying agents and hiring adventurers to increase your influence.

This is a fairly easy game to learn and offers enough variability that it’s extremely re-playable. The basic gist is you deploy agents to get resources to complete quests, which earn you victory points and sometimes more resources. Intrigue cards give you special capabilities and ability to put the screw to the competition. Players can also build buildings that offer special resources but charge rent to the owner for their use, adding another dimension.

I really like this one, as it’s complex enough to be challenging but simple enough you can roll through it without a lot of mental juggling. One of those games whether you win or lose, it’s always a good time.

Filed Under: The Blog, Video & Board Games

WINGSPAN

August 29, 2021 by Craig DiLouie Leave a Comment

From Stonemaier Games, WINGSPAN is a terrific engine-building board game for 1-5 players aged 10 and up. This game has earned a jaw-dropping 5,300 reviews on Amazon with an average 4.9 rating. I played it last night for the first time and found it lived up to the praise. It was loads of fun.

In this game, you and the other players are bird enthusiasts tending wildlife preserves, where you’re hoping to attract a variety of species of birds to live in habitats. In each turn, you can take one action, which is gain food tokens from a bird feeder dice tower, lay eggs, draw new bird cards, or play a bird card on a habitat.

It’s the kind of game that’s kinda complicated until you play a round or two, and then it all comes together. Gradually, you build an engine that starts producing real points. More food, more birds with different capabilities, more eggs.

I really enjoyed this one. The production quality is charming–the eggs, bird houses, the facts about real bird species on the cards–and the birds have such unique capabilities that no two point-generating engines you build are likely to be the same. The competition is also pretty stress-free, as other players can’t mess with you. You’re really playing against yourself and against them at the end, when all the points are counted up.

Overall, WINGSPAN is a fun game that is competitive but also not competitive, with a really strong charm factor.

Filed Under: The Blog, Video & Board Games

TRANSPECOS (2016)

August 24, 2021 by Craig DiLouie Leave a Comment

TRANSPECOS (2016) is a tense, superbly acted, and beautifully shot thriller, though a bit empty on message.

It’s a typical day at a lonely, infrequently used border crossing between the United States and Mexico. At this post, three U.S. Border Patrol agents spend their shift horsing around, hassling travelers out of sheer boredom, telling stories, and looking forward to going home. Then a car appears that will change everything, reveal a plot within their ranks, and possibly cost them their lives within the next 24 hours.

I’m not sure where I got by the end, but I loved getting there. Gabriel Luna, Johnny Simmons, and Clifton Collins, Jr. are all terrific in their roles as the Border Patrol guys, representing three very different moral codes. I liked the characters, grit, and conflict enough to become invested in what happens. As for the central conflict, it’s big, believable, and even though you know it’s coming, surprising. The desert offers a lonely and beautiful setting for every scene, making the film a modern Western. It’s not as epic or tense as SICARIO, but one could make a comparison.

On the downside, the last act runs away from the story to ramp things up to an ending that seems to convey some sort of message that carries moral heft, though it was lost on me. I’m just not sure what the film was trying to say. Here, the comparison with SICARIO becomes contrast. But that’s just for me, you may love it.

So overall, I enjoyed the ride even though I wasn’t sure where it took me.

Filed Under: Movies & TV, The Blog

CRIMSON PEAK (2015)

August 24, 2021 by Craig DiLouie Leave a Comment

Written and directed by Guillermo del Toro, CRIMSON PEAK (2015) is a throwback classic Gothic story updated around the edges with a modern sensibility. I liked it.

It’s 1901, and budding horror author Edith and her construction magnate father are visited by the charming Lord Sharpe, who is searching for funding for his digging machine invention, which he hopes will allow his estate’s mines to reopen and restore the family fortune. She falls in love with Sharpe, but he and his sister are not what they seem. Trapped in a crumbling mansion, she slowly learns the truth, a search inspired by the appearance of ghosts.

There’s a lot to like here, with its flaws easily forgivable as they’re largely inherent in the Gothic storytelling license, which you will either dig or you won’t. The acting (notably Tom Hiddleston and Jessica Chastain) is great, the period sets and costumes are fantastic, and the ghosts are very well rendered. If you’ve ever had a taste for a classic Gothic story, look no further. CRIMSON PEAK has it all: dire prophecy, ghosts, crumbling mansion, wicked villains, saviors, imprisoned damsel, a dark family mystery, all the conventions are here, though again touched up with a modern sensibility such as giving the women, wicked and good alike, more agency.

On the downside, many Gothic conventions are so familiar as to be cliches, and some of the cliches are ridiculous with drama that pushes into melodrama and the usual good guys making bad decisions to draw out the conflict. On the blonde-haired heroic side, the characterization is unfortunately relatively weak to the raven-haired villain side. The ghosts are quite well done but there isn’t much going on that’s particularly scary. And the ending is fairly predictable. I’m not sure how I would have improved it, as I think it accomplishes what del Toro set out to do, but I think it might be a more compelling film if it either strengthened the protagonist or more cleverly played against convention so as to be surprising and fresh.

So take it for what you will. I enjoyed CRIMSON PEAK, though I had to remind myself to put aside my modern eyes a few times and run with it.

Filed Under: Movies, Movies & TV, The Blog

THE MINISTRY FOR THE FUTURE by Kim Stanley Robinson

August 23, 2021 by Craig DiLouie Leave a Comment

Kim Stanley Robinson’s THE MINISTRY FOR THE FUTURE is a solitary work of genius. It is one of the most eye-opening, brilliant, and simultaneously horrifying and hopeful novels I’ve ever read.

Fast forward a few years from now, and India suffers a heat wave so lethal it kills millions. This galvanizes the world to take global warming due to human carbon emissions as seriously as the vast majority of scientists. At the United Nations, an agency is formed, the “Ministry for the Future,” designed to represent future generations and the biosphere. This hefty novel imagines the challenges they and humanity face in the coming decades, the daunting forces entrenched in their way, and the systemic changes required.

Holy crap, what a powerful, mosaic novel of ideas. A warning: It’s wonky, meaning it’s filled with policy and discussion about how bureaucracies can get policy implemented. It doesn’t have a typical storytelling narrative. The characters come across as real but not necessarily people you heavily invest in; they are vehicles for expressing a much bigger story about the future of life on Earth and whether we want civilization and possibly human life to survive. The read is worth it, but it’s also helpful to have the right expectations going into it.

Robinson covers all the bases, acknowledging that capitalism, neoliberalism (the idea that capitalism, not governments, can solve all problems), and fossil-fuel global economies are engines wrecking the planet, and to address global warming and prevent catastrophic climate change, post-capitalist systems will need to be pioneered. Neoliberals often comfort themselves by saying technology will get us out of the mess we’re making, but Robinson addresses that as well, noting how technology only does what humans want it to do. If there is little will to address humanity’s role in climate change, technology can only do so much. He imagines a new digital carbon currency that rewards carbon draw down, governments finally taking on the 1% and taxing them, corporations adopting the Mondragon worker coop model (which works so beautiful in Spain and other countries) to reduce income inequality and invest workers in their enterprises, fossil fuel burners having to accept the true cost of their product, a new global eco-terrorism war, reducing meat consumption in favor of vegetable substitutes, expanding instead of privatizing the Commons, clean energy, restoring land to wildlife, waves of climate refugees, massive engineering projects to save the polar ice caps, and much, much more. Robinson, who once wrote a brilliant trilogy about the colonization and terraforming of Mars, imagines us doing it to Earth to save it.

It’s a novel of tremendous scholarship that should be required reading by pretty much everybody. Too much conversation about climate change happens online, where people who simply agree with the vast majority of scientists (and their own eyes and common sense) end up arguing with people quoting cranks hired by Exxon, who end up winning by keeping it in debate, like a never-ending filibuster. Like everything else, climate change has become politicized as Left/Right, which is just dumb and proves robber baron Jay Gould’s famous quip that he could always hire half the working class to kill the other half in his defense. As a result, more carbon has been pumped into the atmosphere and more damage done since Al Gore’s AN INCONVENIENT TRUTH than all the decades before. As for the planet, it doesn’t care about these debates. Climate change is happening, it’s happening now, it’s going to get worse, and technology and capitalism aren’t going to solve it without systemic change that threatens the very rich sociopaths who would rather show off with flying yachts into near space rather than pay taxes so we can collectively solve our problems. This is problem that should unite everybody in common cause, with the debate focused on what we do rather than whether we should do anything. My kids aren’t going to die for a few rich assholes’ profits.

THE MINISTRY FOR THE FUTURE excited me for its brilliance and ideas but utterly depressed me, as I’m old enough now to be pretty cynical about human nature and what we’re capable of in large organizations instead of individuals. Fixing the problem will be hard work and require systemic change, not just a percentage of the population buying electric cars and LED light bulbs, and people probably aren’t going to be excited about doing what must be done until climate change is bashing down their door, at which point it may be too late. Robinson shows a path out of this, but I don’t share his faith that the global elites will give up a single dollar or ounce of privilege. They think they’ll be in lifeboats when the ship goes down. They are products of a system engineered to maximize profit today, not tomorrow, and bulldoze anything or anybody to do so, with any externalities–pollution, wrecked ecosystems, etc.–everybody else’s problem. Meaning ours. These people (the 1%) own 43% of the world’s wealth, control its financial system, virtually control its governments, and of course can get half the working class to kill the other half. So I’m more cynical than Robinson, though I appreciate his hope and applaud him showing him a way forward.

If you can’t tell, I loved this one and highly recommend it to anybody who cares about the world they live in and humanity as a whole.

Filed Under: Apocalyptic, Books, Cool Science, Reviews of Other Books, The Blog

BRAND NEW CHERRY FLAVOR

August 19, 2021 by Craig DiLouie Leave a Comment

BRAND NEW CHERRY FLAVOR is one of those rare gems that finds the exact right Venn point between horror, comedy, and gonzo/cool without overplaying any of them. Telling the story of a curse and the power struggle between a young woman and a witch, it’s a hell of a good time, though its lack of a stronger resolution (with no sign of a second season) may disappoint some.

Based on the 1996 novel by Todd Grimson (which, bizarrely, you can only get in audiobook unless you’re in the UK, somewhere there’s an author and publisher crying over a major lost opportunity), this limited Netflix series follows Lisa Nova, a young filmmaker newly arrived in Los Angeles with a short horror film she recently shot at a house, where something bad happened. She gains the attention of Lou Burke, a powerful producer who hasn’t had a hit in years and wants to get her film made. Hollywood happens, leading to a confrontation in which Lisa contracts a witch to lay a powerful curse. But of course, all such services have a price.

Damn, this was a lot of fun. Almost everything about it works–the hipsters rolling with the weirdness until it gets too dark, the power dynamics of Hollywood, the tit for tat power struggle between the three major players, Boro’s confident charm and weird magic, and the way the storytelling slides effortlessly between Hollywood, magic, horror, and comedy. I also enjoyed the way none of the players are truly evil or innocent, they’re simply bound to a bad end with everybody else roadkill if they get in the way. The casting is terrific, notably Rosa Salazar (fast becoming one of my favorite actresses if not my favorite) as Lisa, Eric Lange as Lou, and Catherine Keener as Boro.

The only downer for me is the ending, which promised a stronger resolution in the climax as it’s presented as a limited series (no season 2). The more I think about it, the more it makes sense, but it breaks a bit too neatly and messily at the same time. No matter, though. BRAND NEW CHERRY FLAVOR is a hell of a lot of fun.

Filed Under: Film Shorts/TV, Movies & TV, The Blog

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