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A LONG WAY GONE by Ishmael Beah

March 27, 2017 by Craig DiLouie Leave a Comment

long way goneIn A LONG WAY GONE, Ishmael Beah provides a devastating memoir of his experiences as a child soldier in Sierra Leone’s civil war during the 1990s.

At the age of 12, his village is attacked by rebels (the RUF), separating him from his family and forcing him to wander the countryside trying to stay alive. Eventually he is forced to join an Army unit who trains him to fight and gives him drugs to bolster is courage. As a child soldier, he fights the rebels and sometimes raids civilian villages to gather supplies so his unit can keep going. After four years, UNICEF was able to get him removed from his unit and put into a rehabilitation program, where he was adopted by his uncle. After the war reached the capital of Freetown, where he lived, he fled the country and ended up in New York, where he was adopted by a a UNICEF worker.

Beah tells his story in a very simple, direct way. Often, as you’re reading, you can hear the words as a child would say them. The brutality of the civil war is horrible–drug-crazed rebels and soldiers fighting, looting, raping, terrorizing the country. The story is an amazing journey of survival and a lost childhood.

If you’re interested in this subject, you might also check out BEASTS OF NO NATION, a Netflix movie starring Idris Elba, which was a fantastic portrayal of child soldiers, based on the 2005 novel of the same name by Nigerian author Uzodinma Iweala.

Filed Under: Books, Other History, The Blog

WESTWORLD (2016)

March 24, 2017 by Craig DiLouie Leave a Comment

westworldThe HBO series WESTWORLD, based on the ’70s film written by Michael Crichton (and with many similar elements), serves up an amazing story combining action, quest, creation and philosophy.

Westworld is a massive theme park comprised of thousands of androids indistinguishable from human beings. The androids live out scripted story lines, or loops, unaware they are there solely to entertain rich guests. They pleasure the guests, and they die, often brutally, only to be repaired, reset and sent back to their world. Guests can explore, get pulled into the story lines and/or indulge in their wildest desires. The park was created by two brilliant men, Ford (Anthony Hopkins, nailing it as always) and Arnold.

These two men had contrasting visions for what their creation should be. Ford, who rules the park as its god, saw the androids as “tools with a voice.” Arnold, who died mysteriously before the park opened, saw them as potentially sentient life that should be given free will and rights. After a software update by Ford, some of the androids begin acting strangely. They are remembering, memory being a foundation of sentience, and going off their story lines. Meanwhile, the gunslinger in black (the brilliant Ed Harris), a frequent patron of the park who has explored almost every inch of it, is playing a different game. He believes Arnold implanted code, represented by a maze, that would allow the androids to gain consciousness, and all the world he loves to become real. Unlike watching the original movie, I found myself aching to go to this place and lose myself in the game.

WESTWORLD serves up plenty of sex and violence in solid HBO style, making it as titillating a watch as GAME OF THRONES. Even though we know the story lines are scripted and fake, they offer plenty of exciting action, and suck you in. The show is a feast for the actors, who often repeat the same lines but in different context, and act the same scenes but playing out differently due to the influence of a guest. The show starts off in grand style, turning familiar tropes and expectations on their head and letting you know this isn’t just sex and violence but instead something thoughtful and original. There’s plenty of philosophy in the show, exploring questions such as what is life, memory and consciousness, free will, when a gaming experience makes you feel more real than you do in real life, meeting yourself in adversity, and more.

The show isn’t without its faults. Notably for me how far two lab techs go to help an android, the over-elaborate and convoluted late plot development that diffused rather than built tension, and, most important for me, the confusing disconnect with the original movie. There are indications this Westworld is the same as in the movie, complete with a nice Easter egg at one point–an inert Yul Brenner gunslinger standing in the corner of an abandoned laboratory–but it’s never acknowledged. There are hints something horrible happened 30 years ago, which you think is what happened in the movie, but that’s not the case. The fact it’s a remake and not a sequel really threw me off following the myriad subtleties of the plot.

Brilliant series, totally worth a binge watch some weekend, and I’m looking forward to hell breaking loose in the second season.

Filed Under: Cool Science, Movies & TV, The Blog

THE INVITATION (2015)

March 22, 2017 by Craig DiLouie Leave a Comment

THE INVITATION (2015) is one hell of a horror movie that keeps you guessing then explodes. The film begins with Will and his girlfriend Kira driving to the Hollywood Hills to the home of his ex-wife Eden, who is hosting a dinner party with her husband David. It’s a reunion of old friends after Eden disappeared for several years following the death of her and Will’s son in a freak accident, the endless grieving, her having an affair with a man she met in a support group, and the dissolution of their marriage.

Eden seems happy and finally accepting her son’s death, while Will finds it hard to be there at his old home, which for him is still haunted by memories, sorrow and guilt. It turns out Eden’s secret is that she and David joined a spiritual movement that teaches people to accept death as a portal to transcendence, which gave her peace. Their talking about the group is awkward and strikes their old friends as cultish. Will becomes angry because he cannot understand how Eden moved on so neatly from a nightmare he can never escape.

As the evening becomes fun and strange in turns, Will finds himself increasingly isolated and questioning what exactly is happening at the party. Is there something strange going on? Or is he suffering a psychotic break by visiting his past?

THE INVITATION terrifically draws its primary characters and their shared tragedy, the strangeness of the movement and its members who are at the house, Will’s paranoia, the tension building toward an awful climax. When the film explodes, everything is revealed and then some, providing an extremely striking ending. Otherwise, the action pours out in a very realistic way. The violence is horrific because it’s so believable. It’s a real punch. And it all leads to an ending that is touching and then striking.

Highly recommended.

Filed Under: Movies, Movies & TV, The Blog

Excerpt from THE ALCHEMISTS

March 22, 2017 by Craig DiLouie Leave a Comment

Below is an excerpt from The Alchemists, now available for Amazon Kindle for $1.99–50% off the standard price until March 31. Get it here.

THE ALCHEMISTS by Craig DiLouie-001They found out he was the eldest son of Gregorio Cellini of Venice and offered him endless credit, selling him new powder and shot for his matchlock gun at a grossly inflated price. Taddeo bought himself a leather jerkin to wear over his doublet and Prospero a new feathered hat. It was a tradition, they said, for a newcomer to issue a challenge to shoot at targets, and the loser had to buy drinks all around for the platoon. Taddeo, considering himself a good shot and eager to please his new friends, agreed. The men laughed, rushed into a tent, and dragged out a skinny boy named Félix, who arrived sporting a lazy eye and a bucktoothed grin.

“We can always wager a little more than a few drinks,” a Spaniard suggested.

Being a city boy, Taddeo knew a con when he saw one. The goofy-looking kid was no doubt a dead-eye shot. He counted the men and figured he could stand them all a drink on his father’s credit, assuming he lost. When he refused to increase the wager, they sagged a little.

“Científico,” one muttered to his comrade, tapping his head.

Taddeo found he wanted very much to win, however. It wasn’t often one got the chance to put his skills as an arquebusier against the finest marksmen in the world.

“Gentlemen, you may load your arms,” one of the Spaniards said.

Félix gave Taddeo his bucktoothed grin and loaded his arquebus by feel alone. Taddeo tried to match his speed, but his hands kept shaking. He almost forgot to blow the loose powder off the gun, which left unattended could have caused it to blow up in his hands.

The boy snickered, his head bobbing, and gestured for Taddeo to take the first shot. The men gave him a monopod, a forked stand on which to rest the muzzle of the heavy gun. As he was used to shooting without it, he hoped it would give him a nice boost in accuracy.

The man-sized target had been placed a hundred yards across a field. At this distance, he knew, the average marksman hit the target only half the time. The arquebus was considered accurate up to three hundred yards, but only if one were shooting at a barn.

Blowing air out his cheeks, he aimed down the barrel. Continuing to exhale until his body had perfectly stilled, he pulled the trigger. The match dropped into the priming pan, which ignited the powder with a crash. A massive cloud of gunsmoke erupted from the muzzle.

A hundred yards distant, a soldier got up from a ditch, dusted himself off, and approached the target. He gave a thumbs-up.

Taddeo turned wide-eyed and nodded to Félix.

The boy laughed, placed his gun, and fired. Moments later, he hooted as he was given a thumbs-up. The Spaniards cheered, placing new bets among themselves. Taddeo caught enough of what they were saying to understand his already long odds were being lengthened.

He reloaded as the target was moved to one hundred twenty-five yards. At this range, a man might hit four out of ten times.

He sighted down the barrel and waited until his trembling body achieved a moment of stillness. He fired. He squinted through the haze.

A hit!

Félix frowned, placed his gun, and fired.

The bullet snapped through the target with a puff of dust.

“Let’s spice this up,” a Spaniard said. “Make them take a drink!”

The arquebusiers laughed, pushed cups of strong red wine into their hands, and shouted at them to down it fast. Hoping it might still his nerves, Taddeo tossed it back and swallowed it with a gasp. The alcohol rang his head like a bell.

It produced another strange effect. He felt perfect certainty he would hit the target while at the same time hardly caring if he missed. He casually placed his gun, sighted, and fired.

He pumped his fist. “Per la vittoria!”

The bucktoothed kid reloaded his piece, his face flushed now, and fired again. Hit.

“Drink! Drink!”

The Spaniards forced another cup on them. Taddeo drank it down greedily. He’d never known wine had such a powerful effect on bolstering courage. No wonder Prospero so often sought its medicinal qualities. It was amazing.

He laughed at the thought of Prospero, though he wasn’t sure why. The Spaniards laughed with him and shouted their bets, their eyes gleaming with excitement.

Fire. Hit.

Once again, the boy matched him.

After another cup of wine, he tried to calculate his odds. The target was approaching two hundred yards, at which range a skilled arquebusier might hit a man-sized target perhaps one out of four times, one out of three if he had luck on his side.

He’d crossed some sort of threshold as far as the wine’s effects, which he continued to catalog in his mind. His head felt thick and heavy. He knew it would be impossible for him to hit the target at this point but no longer cared in the slightest if he didn’t. He was having too much fun to mind losing a silly bet. The gun was practically firing itself at this point anyway.

He felt something nudge his leg and looked down to see Leo gazing up at him with a worried expression, whining and thumping his tail against the ground. “It’s okay, boy,” Taddeo told him. “Go back to the wagon and wait for me there.”

Seeing him sway on his feet while talking to a dog, the Spanish cried fresh bets, clubbing each other with fistfuls of money. Scores of soldiers from other units had gathered to watch the show. They slapped down their coins and squabbled over the odds in a dozen languages. Taddeo laughed at them, making them all dive for cover as he swept the crowd with his muzzle.

“You want to see something? You want to see a true marksman in action? Watch this!”

He threw away the monopod and presented. He’d show them how to shoot without the use of a crutch! The image of an outsmarted Myrddin pinching his nose and saying, “Damn it,” crossed his mind and made him laugh out loud. He fired at the same time.

Crap. The ball had sailed off into the blue.

The bucktoothed kid snickered. “What a pity.”

A moment later, a goose fell out of the sky and smacked into the target board, which toppled over.

Taddeo gasped, unable to believe the blind luck of the shot. Then he laughed and declared, “Gentlemen, dinner is served!”

“El Diablo!” howled Félix. He threw down his matchlock and stomped into his tent as half the soldiers swept Taddeo off his feet and hoisted him onto their shoulders. They jogged him around the camp, chanting, “Santiago! Santiago!” while the rest stood glumly until he shouted at them to tap a barrel and put it on his credit. Their faces brightening at the news, they huzzaed and joined the parade, waving swords and pikes and firing guns into the air. Stradioti waded into the press on prancing chargers, clashing their scimitars against their shields. A military band led the procession, playing a ragged parody of a marching tune.

The mob passed Marie standing at the center of a large crowd of Landsknechte. Taddeo blew her a kiss with both hands. “I love you, Marie Dubois!”

She stared back at him, dumbfounded, as they swept past en route to the wine sellers. The Germans cheered and raised their tankards.

Prospero found him still deep in his cups early that afternoon, pontificating to a group of drowsy arquebusiers roasting the goose on a spit while Leo lay on his back, sunning his belly.

“So I was like, ‘All celestial objects are in constant motion, and that motion can be expressed mathematically,’” Taddeo told the Spaniards. “And then Giovanni was like, ‘Well, we tried that, but our model doesn’t work, so God must be intervening to keep the heavens stable.’ And I was like, ‘That’s ridiculous! If the model doesn’t work, it’s wrong and must be revised—using mathematics!’ And then he was all like”—he switched to a mocking falsetto voice—“‘I’m going to report your heresy to the Bishop!’ And I was like, ‘Go ahead! Do it!’”

Prospero whistled and shook his head. “Taddeo, Taddeo. While I am happy to find you at last exploring the joys of the grape, it deeply saddens me you have wasted your virginity on this camp swill. Fortunately for you, I have distilled a pure analgesic for your use.”

“Doctor!” cried Taddeo, jumping to his feet. “I bought you a new hat! Pablo, Ambrosio, Diego, Cristóbal, everyone—this is Prospero Buonarroti, my mentor! He taught me everything I know!” He gave Prospero a bear hug. “I love you, man. You are just incredible. I mean it.”

Prospero patted his protégé’s back. “My poor Taddeo. Now I know your wits are gone. Can you walk? I need you to come with me.”

“That,” answered Taddeo, “is a great idea.”

But walking turned out to be much harder than he’d expected even with Prospero holding him up. His vision swam. Groups of soldiers hailed him and raised their cups in salute.

“How much wine did I actually buy, Prospero?”

“You do not want to know,” the scientist answered. “And I am not entirely sure. But I might point out half the army is lying in the grass stinking drunk.”

“I’m going to be in so much trouble with my father.”

“You may take solace in the fact that eventually the sellers ran out of wine.”

“Where are we going? I want to see Marie. My dearest, my shining star, my wondrous delight—”

“I do not believe you would make a favorable impression on the young lady at this moment. I am taking you instead to see the Prince of Orange.”

“But he’s a monster! He’s going to kill us all!”

“Ah, he is not so bad.”

“If you say he’s a ‘friend of the arts,’ I’m not going.”

“Even better than a friend,” Prospero declared. “This one is a true lover of the arts.”

The commanding general of the Legion of Italy was a young handsome man dressed in gilded plate armor and helmet topped with a generous bouquet of plumage. They found him sitting astride a tall horse, glaring imperiously into some private horizon, prepared to strike whomever displeased him with the gleaming sword he held in his hand.

“Ah, heer dokter, I see you have returned with your prodigy,” said Philibert of Châlon, the Prince of Orange.

Taddeo felt himself visibly wilting under the man’s martial gaze. This was the brutal general who’d sacked Rome. Then he realized the Prince’s horse was built of wood, and the Prince himself was posing for a painter laboring over a portrait.

“Your Imperial Highness,” Prospero said with a slight bow. “May I present Taddeo Cellini.”

Taddeo executed his own awkward bow and almost fell over. He felt sick.

Whatever you do, don’t bring up Rome. Don’t even say the word. Don’t even think it—

The general jumped down from his wood horse, provoking a frustrated sigh from the painter. “Your master tells me a French army passed through this way. About twenty-five thousand fighting men, isn’t that right, heer dokter?”

Prospero clicked his heels. “That is correct, Your Imperial Highness.”

“Our men are ragged, but their swords are sharp. We also have the advantage in firearms.” Philibert removed his gloves and waved them at a fly buzzing around his face. “But there are more of them than there are of us, and numbers usually win battles. That is true, is it not?”

“It is so true it should be a Commandment,” Prospero assured him.

“Quite. Three days ago, we broke the siege of Genoa and pursued General Odet until we caught up to him just a league south of here. That’s where you’ll find his dead army rotting on some nameless hillside. We outnumbered them. Half the poor sods were so weakened by plague they could barely put up a fight.”

“In which case, the slaughter was an act of loving mercy, Your Imperial Highness.”

“As you say. The war is at a critical juncture. We have recovered Milan and Genoa. The French have an army somewhere in Lombardy, another on the verge of taking Naples. If we can defeat the army here in Lombardy, I believe the Emperor can end the war on favorable terms.” He set his mouth in a hard line. “But this time, we will be outnumbered. And every day, more of our men fall victim to this deadly fever.”

“The mago is curing the sick,” Taddeo said. “I believe he’ll do a lot of good. If he can cure them, many of your men will be back on their feet soon.”

“Magus, you say? A wizard is here?”

“No one special,” Prospero said with a dismissive wave of his hand.

“He’s healing the sick even as we speak,” Taddeo said.

“If you don’t mind me saying, you don’t look so well yourself, lad. You look a tad green.”

“I’m drunk, Your Greatness.”

The Prince of Orange sighed. “Of course you are. Intoxication appears to be a soldier’s entire entertainment. When he’s not gambling and whoring.”

“As a trained physician, I was going to heal the sick myself,” Prospero cut in with a frown, but added magnanimously, “Nonetheless, I am grateful for the Magus’s assistance. He is my helper, you see. Every hero needs a sidekick.”

“Very good. So tell me about your invention that will help us find this French army.”

“Invention?” Taddeo belched.

“We need a practical demonstration of the principle of using heated air to raise reconnaissance airships,” Prospero told him. “Can you do this for the general?”

“Absolutely.” Then he bent and vomited on the Prince of Orange’s boots.

“Ah,” said Philibert as a dozen toadies cried out in horror and rushed from all sides to clean up the mess. “Well.”

“I’m really sorry about that.”

“You are ill. Perhaps another time—”

“I can do it,” Taddeo said, waving. “I’m okay, I’m okay, I’m okay. Your Imperial Highness.”

Feeling a little better, he staggered off toward The Prometheus and returned with an armful of materials, which he dropped on the grass. Within minutes, he constructed a boxlike frame of thin sticks covered in silk on all sides except one, which he placed over a small fire.

The box slowly levitated. It hovered over the ground.

One of the Prince’s guardsmen crossed himself. “Magic,” he muttered.

“Not magic.” Taddeo pumped his fist. “Science.”

“Heated air rises,” Prospero explained. “On this principle, we could build airships.”

The box wobbled and fell on the fire, bursting into flame.

“It’s like Rome,” Taddeo blurted before he blacked out.

Filed Under: Books, Other History, The Alchemists, The Blog

AVA’S POSSESSIONS (2015)

March 20, 2017 by Craig DiLouie Leave a Comment

AVA’S POSSESSIONS offers up THE HANGOVER for the demonic possession genre, a refreshing take. After undergoing an exorcism, Ava tries to put her life back together. At first, she’s flippant about it but comes to learn about the terrible things she did while possessed for 28 days. Given a choice of jail or a possession survivors support group similar to AA, she chooses the latter. This forces a reevaluation of her life, trying to make amends for what she did while possessed, and completing other recovery steps to prevent the demon from possessing her again. Her biggest problem is finding out how the large bloodstain got on her floor.

The movie is billed as a horror comedy, though the premise is more comedic than the execution, which takes itself just seriously enough to work and just humorously enough to avoid getting too heavy with a light premise. I loved the premise (definitely one of those ideas I wish I’d thought of) and found the execution entertaining enough to pull it off just right. Recommended.

Filed Under: Movies, Movies & TV, The Blog

HYENA ROAD (2015)

March 17, 2017 by Craig DiLouie Leave a Comment

HYENA ROAD (2015) is a Canadian war film that tells the story of three men fighting different wars in Kandahar Province, Afghanistan. It’s a highly realistic and compelling drama, with great action and an interesting inside look at the complexity of the military occupation of that war-torn country.

The film begins with Warrant Officer Ryan Sanders, leader of a rifle squad that finds itself heavily engaged while patrolling the road. They fall back to a village where a tribal leader shelters them and sends the Taliban away. This event catches the interest of Captain Pete Mitchell, an intelligence officer who sees a potential ally. The tribal elder may be a legendary fighter who wreaked havoc on the Soviets. Sanders agrees to help Mitchell track him down. The tribal leader, however, is embroiled in his own problem with a local Afghan leader who is nominally an ally of the Americans but is secretly encouraging Taliban attacks.

Sanders views the war personally–you see a problem in front of you, you act, and you make a difference. Mitchell is playing a bigger game that focuses on factions, not individuals, and puts the moral issues aside to achieve a greater good. The Afghan leader has put war behind him but is sucked into confrontation with another leader, forced to fight a very personal war.

The movie has a simple message–war is bad, soldiers are good–and fails to reach for pathos or moral lessons. That being said, it has a low-key style and deep authenticity punctuated by natural dialogue, touches of military life and overall realism. The action sequences are plenty thrilling and involve people you actually care about. I enjoyed the movie as much for what it isn’t as what it is. The characters aren’t earnest cardboard cutout heroes, the war is presented as complex, and the moral issues aren’t spoon-fed to us as black and white.

HYENA ROAD is a refreshing take on the War on Terror, recommended for fans of war films that make an extra effort to get character, story and world-building as right as its action.

Filed Under: Movies & TV, The Blog

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