
Chris Marrs and I enjoyed a great visit with Can-Con, the Canadian Sci-Fi & Fantasy Convention, in beautiful Ottawa last weekend. ONE OF US was up for an Aurora Award for Best Novel, and while it didn’t win, we had a great time connecting with Canada’s speculative fiction writing community.
Here are the winners–check them out!
• Best Novel: Armed in Her Fashion by Kate Heartfield, ChiZine Publications
• Best YA Novel: Cross Fire: An Exo Novel by Fonda Lee, Scholastic Press
• Best Short Fiction: “Gods, Monsters, and the Lucky Peach” by Kelly Robson, Tor.com Publications
• Best Graphic Novel: It Never Rains by Kari Maaren, Webcomic
• Best Poem/Song: Ursula Le Guin in the Underworld by Sarah Tolmie, On Spec issue 107 vol 28.4
• Best Related Work: Disabled People Destroy Science Fiction edited by Dominik Parisien and Elsa Sjunneson-Henry, Uncanny Magazine
• Best Visual Presentation: Deadpool 2, written and produced by Ryan Reynolds, Twentieth Century Fox
• Best Artist: Samantha M. Beiko, covers for Laksa Media
• Best Fan Writing and Publication: She Wrote It But…Revisiting Joanna Russ’ “How to Suppress Women’s Writing” 35 Years Later, Krista D. Ball
• Best Fan Organizational: Derek Künsken and Marie Bilodeau, co-chairs, Can*Con, Ottawa
• Best Fan Related Work: Edward Willett, The Worldshapers (Podcast)


Betsy Lerner’s THE FOREST FOR THE TREES is a venerable rumination on book publishing, summing up the observations of an editor during her years at Houghton Mifflin, Ballantine, Simon & Schuster, and Doubleday. Viewing writers as inherently neurotic–lone cats with a penchant for self-aggrandizing and feelings of self-worthlessness–she breaks down the six basic writer personalities she’s worked with and how editors get the best out of them (and vice versa). The second half of the book describes the publishing process from an insider’s perspective, all the things that can go right or wrong with publication, and what makes an author-editor relationship work (or not).