Author of adventure/thriller and horror fiction

HELLBOUND, Season 2

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I was blown away by HELLBOUND (Netflix), a Korean series about a strange new phenomenon occurring in which angels appear to people to tell them the hour of their death and that they have been sentenced to suffer in Hell. Season 2 blew me away even more.

The first season reveals the phenomenon and what it means to society. People are of course terrified, wondering what God wants and how to avoid suffering a similar fate as those very publicly beaten by demons before being incinerated and taken to Hell. To prevent societal collapse, a young man named Jung Jin Su–prophesied himself 20 years earlier to go to Hell–understands the only way to save humanity is to create a religion in which people taken to Hell clearly deserve it, leaving you safe as long as you follow his religion’s rules. When he pays to live-broadcast a woman named Park Jung Ja being taken by the demons, everyone believes it’s true–and they all flock to Jung Jin Su’s New Truth Society. Later in the season, after Jung Jin Su is taken to Hell, a charlatan takes over the New Truth and sets out to suppress information that a baby has been sentenced to Hell–directly contradicting the church’s teachings.

In the second season, the New Truth battles with Arrowhead, a mass movement of evangelical fanatics bent on destroying society and handing the ruins to God, and also Sodo, a group formed by a former lawyer dedicated to finding and exposing the truth about the demons. As the Arrowhead continue to gain in popularity and society starts to crumble, the government attempts to make a deal with the New Truth, its agent saying, We know Park Jong Ja has been resurrected, we know you have her, and we want to use her to create a new doctrine and destroy Arrowhead.

What they don’t know is that Jung Jin Su has also resurrected, and his experience in Hell has changed him.

The result is pure cosmic horror. I’ve always found conventional religion to be as scary as Lovecraft. I mean, there’s this Supreme Being, and he loves you, but if you don’t follow the rules and love him back you will suffer for eternity. Now imagine angels appear around the world and tell seemingly random people they are going to Hell, and then demons come at the prophesied time and shred them before burning them to ash. The show explores how humanity might react to such a thing, and how you’d end up with competing religions offering salvation, and then you’d end up with opportunistic people taking over these organizations and using them to gain and hold power and privilege. While the first season was about the battle to either give humanity the truth about its lot or offer it comfort in a new religion, a battle over meaning and interpretation, the second season is about the battle to control the narrative as a means to hold power.

I’ve never seen anything like it. It’s amazing TV in the vein of THE LEFTOVERS, though even more thought-provoking and powerful. Highly recommended.

BOYS IN THE VALLEY by Philip Fracassi

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In BOYS IN THE VALLEY by Philip Fracassi, demonic possession spreads among the boys in a remote orphanage, resulting in nightmarish horror. The publisher ambitiously billed it as THE EXORCIST meets LORD OF THE FLIES, and the read pays off on its promise.

At St. Vincent’s Orphanage for Boys in the early 1900s, thirty boys live a hard life under the watchful eyes of a handful of priests. One boy, Peter, cares for the younger children as best he can and faces a difficult decision–whether to follow his heart to Grace, the young woman living at a neighboring farm, or into the priesthood under the guidance of Father Andrew.

One night, a posse led by the local sheriff arrives with a prisoner accused of unspeakable acts. When the man dies, his death releases an evil that spreads like disease, infecting the boys and splitting them into sides. Then the violence begins.

The novel rings with solid and straightforward old-school horror. Fracassi strikes a nice balance between character and pacing, keeping the story moving and steadily raising the stakes, especially at around the midpoint, when all hell breaks loose, and then the pages fly by. The characters are all likeable or at least sympathetic, kids you can root for and a few people you can enjoy loathing. The demonic kids are straight-up evil and offer chilling antagonists.

On a personal note, I had the opportunity to hang out with Fracassi at KingCon, and we had a blast talking shop for hours. I’ll be watching his career with interest, and I’m happy to recommend checking out his stuff.

STOLEN TONGUES by Felix Blackwell

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In STOLEN TONGUES by Felix Blackwell, a young couple travels to a remote cabin, where they are terrorized by voices calling out in the night. The situation gets worse when the woman starts whispering back in her sleep. Originally a contest-winning story on Reddit.com’s horror community NoSleep, this horror novel delivers all the creeps and then some.

Stephen King once categorized horror as being horror (grotesque), gross-out (gore), or terror (chilling). He identified the third as being the most powerful, and I’d agree, as it taps into fear of the unknown, and it fires the imagination. The scares in STOLEN TONGUES almost entirely stem from this type of horror, and Blackwell pushes the pedal to the max.

The story starts with the couple being under siege at the cabin and escaping, only to discover the creature has followed them. The creature is pretty well drawn, with its own strange habits, customs, and lore. The effects it has on Faye, the protagonist’s fiancee, are beautifully creepy. I had a lot of fun with it, though it comes in for a very long landing that had me a little impatient, but that was just me, I’m a bit jaded.

I liked it so much I ended up picking up the prequel that Blackwell later wrote, titled THE CHURCH UNDER THE ROOTS, which goes even deeper into the weird lore. I liked that one a lot too.

Unfortunately, as far as I know, the author hasn’t written anything since then, and he said on a podcast that he has anxiety issues and that his sudden success gave him an extraordinary amount of stress. I can absolutely relate. Readers can be beautiful rays of sunshine or absolutely cruel. I know of one author whose second novel completely took off, only for him to suffer near collapse, and another who ended up quitting Big Five publishing and sticking with self-publishing under a pseudonym.

It’s unfortunate, as Blackwell is clearly a talented writer, but maybe he’ll return. Until then, I’d recommend these novels, which offer some great scares.

DARK WINDS, Season 1

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Based on the Leaphorn/Chee novels by Tony Hillerman, DARK WINDS (Netflix) is a crime drama that takes place in the Navajo Nation, with predominantly native actors.

The year is 1971, and an armored car heist and several murders fall on the desk of Lieutenant Leaphorn of the Navajo Tribal Police. Working with a tough police sergeant and a new deputy named Chee, Leaphorn must content with FBI interest in the case, internal divisions on the reservation, and a terrorist movement seeking to gain greater self determination for the Navajo people.

As a crime story, it’s compelling, with numerous threads that slowly tie together to the big showdown at the end of the first season. What makes the show really special is the Southwestern landscapes, the indigenous culture, and the charming characters I found myself really rooting for. There is even a supernatural aspect in native witchcraft, which adds a bit of TRUE DETECTIVE to the mix and elevates the story even further.

Overall, I had a lot of fun with DARK WINDS and would recommend it. No heavy lifting required, though a bit spicier than the usual popcorn watch.

WHEN WE CEASE TO UNDERSTAND THE WORLD by Benjamin Labatut

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In Benjamin Labatut’s WHEN WE CEASE TO UNDERSTAND THE WORLD, we are given an extraordinary literary tapestry revealing the connections between science and consequence, madness and genius, and knowledge and oblivion.

This is not typically written, somewhere between an essay and a novel, a work of creative nonfiction that explores the brilliant minds and tortured souls of some of early twentieth century’s most brilliant scientists. With a quick pace that had me turning pages as if it was a thriller, Labatut shows us major discoveries in mathematics and physics and what they meant. The personalities are compelling, tortured geniuses for the most part, raising the old question of whether madness produces genius or if it’s the other way around. A novel of theme, the primary exploration is knowledge and the toll this takes on people and societies, with vast leaps in human understanding of the universe contrasted against the backdrop of two global wars and the rise of fascism. It all leads to the boldest leap into triumph and tragedy as several men carve out quantum physics, upending centuries of physics and showing that the pinnacle of knowledge may mean knowing nothing for certain.

Overall, WHEN WE CEASE TO UNDERSTAND was different than most books I’ve read and a fascinating story not only of science and what it costs but of the geniuses who shook the world.

A BRIGHT AND BEAUTIFUL ETERNAL WORLD by James Chambers

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In A BRIGHT AND BEAUTIFUL ETERNAL WORLD, horror author James Chambers provides a new collection of Lovecraftian stories, each hitting a different dark note.

I’d read Chambers’s ENGINES OF SACRIFICE on a lark a few years back and loved it. I say “lark” for two reasons: One, I tend to read novels far more often than I do novellas and short stories, an art form I’m still learning to appreciate as time passes. Second, all the stories were based on the Lovecraft mythos, and I’m weird in that I love everything Lovecraft except reading the actual stories.

With these two collections, Chambers in my honest opinion improves on the original, giving me all the mystery and cosmic horror I love but told through the lens of modern prose and contemporary stories. Each is highly distinct, creating flavors of horror both cosmic and grisly. In A BRIGHT AND BEAUTIFUL ETERNAL WORLD, the unifying device is a fishing town called Knicksport, where weird things happen, and they might happen to you.

Overall, this collection is a lot of fun and highly recommended if you’re interested in a fresh and thoughtful take on the Lovecraft mythos.